Introduction
The A Pop Life Panel once again pondered over a new subject to cover. Following Prince – The 25 best live bootlegs!, Prince – The 15 best B-sides!, Prince – The 15 best remixes! and Prince 1958-2016: 5 years later, Prince – The 15 best albums! and Prince – The 15 best guitar solos!, this is the list containing the most beautiful Prince covers!
Why a top 15?
In 2019 the A Pop Life Panel published the first article Prince – The 25 best live bootlegs!. Both the compilation and the many positive reactions and comments made us decide to undertake the same process many times after. This is episode 7 already. Prince also spent a lot of attention to his covers, so this time we turn our attention to the Prince covers.
Bram, Edward, Herman, Leon, Rick, Vincent and me went to work with great zeal and compiled our own personal top 15. Before going to the list, some remarks:
With pride and sincere gratitude to Bram, Edward, Herman, Leon, Rick and Vincent, these are Prince’s 15 most beautiful covers!
1. 1999
Album, 1982
Remarks
Bram |
|
Edward |
One of Prince’s most significant releases ever. And without a doubt, his album with the greatest % of dance trax, making this the ultimate party trick. Now to its sleeve: certainly to harmonize with the party feel of the album, the cover is quite sparkly, stimulating, energizing, and in some ways even provoking. At first glance, maybe not that remarkable, but surely enough there’s plenty to discover here. First of all, there are a few elements from its preceder Controversy: the eyes, the smile, jacket studs, the rude boy pin. Furthermore, one can discover a little plate containing the words “and the Revolution” written backwards, both acknowledging his backing band and foreshadowing the coming years of his career. Rarely mentioned anywhere, the “1” of the “1999” is shaped like a penis. And the first digit “9”, contains the sign of androgyny, the sign of the man and the woman in one, which Prince would be using throughout his career. Then, on the backside one can state that the lyrics to the 1999 track are even more striking than the mentioning of the 11 trax which the album consists of. The album is really beautifully constructed with a further 2 lavish inner sleeves, containing 2 pictures (one of the whole group, one of Prince trying to be at his most tempting, lying on a bed) with all the lyrics on the other side. And if U got the right version, there are also the lush eye labels on the discs themselves.
This was the second album I ever bought from Prince, so it is very dear to my heart. Besides that, purple is my favorite color, so that’s another added advantage. Especially when the double album was re-released a few years back on purple vinyl, it made the whole package nothing short of complete. The whole cover and album display a splendid vibe party feel so let’s not spoil that idea then. |
Erwin |
How to paint a full picture with just numbers and letters! |
Herman |
The 1999 album cover is high on my list, as it was the first release to feature the color purple so heavily, after having played a small part on the Controversy album and singles.
Not only is the cover artwork hand-drawn by Prince himself, it includes photography cut-outs of, amongst others, a Marilyn Monroe arm. As with a lot of other Prince covers, it includes jokes, but also the first mention of The Revolution, drawn in mirrored letters front and centre and the appearance of the first “love symbol”. |
Leon |
At first glance the cover comes off as simple, but if you look at the numbers a little longer… I always have to smile again. A cover with a big wink. |
Rick |
This cover cryptically refers to The Revolution. The band-name can be seen in a mirror image on this cover. A nod to the role they were going to play in the near future. Thus Prince giving his backing band more recognition for the first time. This album-cover used to hang on the wall in my house: when only the purple disco light was switched on in the room, the purple cover actually lit up in green. I always thought that was curious. |
Vincent |
This cover appeals to me for the creativity it exudes for me. The symbolism it depicts, the references to man and woman (including phallus 😉). To me, also the basis of the symbol/sign that Prince would be using throughout his career from here on. I still assume that the cover was drawn by Prince himself, though it was never officially confirmed. |
2. Around The World In A Day
Album, 1985
Remarks
Bram |
The same applies for this one as for The Gold Experience: the cover, for me, goes hand in hand with the music again. |
Edward |
A very adventurous & colorful sleeve, just like the contents of the record itself. Again, a totally fitting match! As a way of puzzle-of-the-week every single track on the album can be viewed in some form on the gatefold animated sleeve, so just look for ’em. And every purple boy or girl knows the story behind this record: Prince was very adamant about this one – no acid colored rain on repeat, to him it was very clear where things were heading. With the Purple Rain (USA) tour well on its way, the new album was already wrapped up by Christmas 1984, which surprised even members of the Revolution, who couldn’t quite understand how quickly things were moving in Prince’s fertile imagination. Esoteric and deliriously bizarre, experimenting with psychedelic styles, more exuberant textures and cryptic lyrics, Around The World In A Day invites its listeners on a magical, mystical tour, a one of a kind trip. Though this album is still very much its own unique thing, various comparisons to 1967 Beatles were made more than once in the past, though Prince himself denied its influence profusely at the time. |
Erwin |
The foldout is beautiful, referring to songs and characters on the album. The colors are clear and vibrant. |
Herman |
Around The World In A Day is a gatefold cover, spreading out over the front and back of the cover and it contains a painted artwork by Doug Henders, who was asked to incorporate several themes and characters, matching those described in various songs; there is a ladder, a woman crying, a girl wearing a raspberry beret, and so on.
It was an amazing puzzle, it was colourful and psychedelic and includes no photography at all, nor did any of its singles, trying to steer away from the huge shadow that Purple Rain had cast. It worked for me, as not only was the cover hugely different, the music on the album and its singles were above and beyond Purple Rain in its scope. |
Leon |
|
Rick |
The animated album cover is like a puzzle. I enjoyed it quite much – looking at the figures, drawn on the sleeve and I guess, some refer to a band member and some to a song title. Details of the painting in fact were used as cover on their own, for the single releases. For example: the woman in the beret for the Raspberry Beret 7″/12″ cover. The mountain in the background depicts a silhouette of a woman lying down. The pics on the inner sleeve, containing the lyrics, is like a colourful fairytale with a forest and a big rainbow in the sky; or maybe this is Paisley Park? I think the multi-coloured theme of the cover fits nicely with the many music styles on this record. |
Vincent |
The first cover after Purple Rain, it took some getting used to. A colorful display with various references to the song titles. The longer you look at it, the more details you’re going to see! |
3. Sign O’ The Times
Album, 1987
Remarks
Bram |
This is the cover I’ve been staring at the most; questioning myself – ‘what the hell is on that stage anyway?’ Prince in the corner, shot out of focus, adding to the mystique. By the way, this original photo is much more interesting than the one used for the deluxe. |
Edward |
|
Erwin |
Photo that made me wish for more. Was the cover a prelude for the coming tour? |
Herman |
The Sign O’ The Times cover is iconic in more ways than one; as with previous albums, Prince incorporates a colour theme, this time peach and black. And he uses ace photography by Jeff Katz and art design by Laura LiPuma to sketch an entirely different scene than the albums that came before.
The cover is as brilliant as is simple; an ornate soundstage, with an out-of-focus Prince, his gaze looking past the camera, as if he’s dreaming away. It’s mysterious, catchy and intriguing.
The contents of the sleeve are what blew me away and made me Prince fan forever. |
Leon |
|
Rick |
The picture used on this cover is showing a stage, reminding me of a small club when the band just finished their performance. With the smell of booze, old ale and smoke still in the air… yes, smoking indoors was still allowed back then. The picture of this cover takes me back to concerts at Paradiso, Melkweg and Taverne in the late eighties, early nineties. |
Vincent |
|
4. Lovesexy
Album, 1988
Remarks
Bram |
Prince sitting amongst the flowers like a kind of fairy in a pristine white environment… The lilac leaves, the fragile hand… As vulnerable as can be. |
Edward |
|
Erwin |
The courage, expression and vulnerability make this cover into one of the most remarkable record covers of all time. The music corresponds with the music perfectly. |
Herman |
You cannot mention The Black Album without its spiritual counterpart Lovesexy. Its cover’s subject is as stripped/naked as the first two single releases that accompanied it, devoid of photography, but the album’s photography by Jean Baptiste Mondino (who also had shot Jill Jones‘s video for Mia Bocca) was nothing short of shocking for some prudish US retailers, who refused to sell it, or only from under the counter. |
Leon |
Well… you just need to take a risk, at least it’s typical Prince again: shocking! |
Rick |
|
Vincent |
The cover that caused quite a lot of controversy, should not be omitted from my list. Prince naked on an album cover?! Simply not possible! And the pistil of the flower, though being a female floral organ, is depicted here as reference to the male private parts. Anyway, plenty of reasons for several stores to ban the record cover or wrap it in black foil and sell it secretly behind the counter. |
5. Come
Album, 1994
Remarks
Bram |
I like black and white photos. So this one explains a lot. |
Edward |
|
Erwin |
Moody photo in Barcelona next to that beautiful La Sagrada Familia. Great photo for the somewhat macabre addition “1958 – 1993”. |
Herman |
The last album with new material Prince gave Warner Brothers, before they parted ways after a long feud, made Come a tricky album. I still think this is a heavily overlooked album. It’s a really strong album, almost all the way through. It’s not strange that, for an album that came out in such a contested time in Prince’s career, Prince went for a dark look, harking back to a black and white theme. The cover photo is simply breathtaking; Prince in front of La Sagrada Familia in Barcelona, photographed by Terry Gydessen, who was Prince’s 1993 tour photographer and also released the Prince photography book The Sacrifice Of Victor. The cover shot of the CD is part of a bigger fold-out booklet, though; the entire picture is one of my fave Prince pics ever. |
Leon |
A special cover for a special album, the photo is a bit dark and gloomy… wondering if there is a message behind it. |
Rick |
The cover shows a beautiful moody photo of Prince in Barcelona in front of Gaudi’s Sagrada Familia. When I look at this cover nowadays, I realize that even though they are both gone, Prince and Gaudi have become immortal because of their exceptional work they left us as a legacy, something only few people achieve. |
Vincent |
Prince esta muerta, a very dark record cover. There is something spooky about it, in particular the birth and death date of Prince (1958 and 1993 resp.). It turned out to be the beginning of an era in which the name Prince would not appear on upcoming album covers… for a long time. |
6. Parade
Album, 1986
Remarks
Bram |
Iconic pose in my book. The artwork is so effective in all its simplicity. |
Edward |
|
Erwin |
Prince, black/white, simple, effective, iconic. How hard can it be? |
Herman |
Another gatefold album sleeve: Parade. But this time photography was back to the fore; two majestic and awfully sexy pictures of Prince, shot from the belly-button up, were flipped and joined at those same belly buttons, creating a front and back you could flip open.
Again an iconic sleeve, as the sleeve’s black and white themed look/outfit fits the singles design and photography. The black and white theme also reflects the movie Under The Cherry Moon‘s theme. Prince’s outfit and look is identical to the video of one of his biggest hits Kiss.
In your face, all around sexy. |
Leon |
|
Rick |
|
Vincent |
The first album of Prince with short hair, and all in black & white. It took some getting used to. What makes this cover so special? In my case, those piercing eyes! |
7. If I Was Your Girlfriend
(Maxi-)Single, 1987
Remarks
Bram |
Wonderful dreamy photo. |
Edward |
|
Erwin |
The cover posesses a “dream-pop” feel, reflecting the song very well. |
Herman |
My favourite Prince cover by far is If I Was Your Girlfriend; the single resembled the style of the album, but here his name is emblazoned next to it, using the specially designed Sign O’ The Times font, in the bright baby blue colour that matches the font of the previous single’s font colour and the album’s foil sticker.
As on the album cover, Prince stares off into the distance, as he does on the cover’s second portrait. It’s dreamy and introspective, matching the style of the single’s lyrical content. It’s a total dream.
Photography by Jeff Katz, design by Laura LiPuma, which includes an astonishingly pretty back cover as well. And, the single contains one of the best B-sides in his entire career. |
Leon |
|
Rick |
|
Vincent |
|
8. The Black Album
Album, 1987
Remarks
Bram |
I’m not kidding here. To me, this is a serious candidate for this list. This album continues to appeal to the imagination in every way, including its pitch black cover. |
Edward |
|
Erwin |
How a black square can tell endless tales. |
Herman |
Even though both versions of The Black Album were limited in their own way, the cover design, or lack thereof, was one of the things that made it iconic, it even gave the nameless album its infamous name.
I was not smart/rich enough to be around to own an original 1987 version, but when the limited 1994 release hit the market, I got both the vinyl and the CD, but there was nothing more exciting to get the vinyl out of its sleeve and play it, but oh; that sleeve! Genius. |
Leon |
Nothing more than that… but what a story behind this one. |
Rick |
|
Vincent |
The Black Album: who doesn’t know this album 😉? Every self-respecting Prince fan knows this record, well should know anyway. I remember buying the album on cassette at the Waterlooplein/Amsterdam. Of course, the cover isn’t actually that special but the story behind it certainly is. |
9. Purple Rain
(Maxi-)Single, 1984
Remarks
Bram |
|
Edward |
|
Erwin |
|
Herman |
|
Leon |
|
Rick |
This cover cannot be omitted in my top 15. Pictured on this sleeve is an iconic photo of Prince on stage with his famous clothes from the Purple Rain concerts and of course, the white cloud guitar. I really think this represents that era even more so than the Purple Rain album cover. |
Vincent |
This is my favorite cover. As a little boy, I spent my pocket money on this single by Prince. My first memory on how I was fascinated by Prince and his music. It was the beginning of many concerts, aftershows and collecting bootlegs. My view on music was forever changed… |
10. Dirty Mind
Album, 1980
Remarks
Bram |
He is almost just as naked here, as he is on 1988’s Lovesexy-cover. But back then in 1980, it was no problem at all selling this record… |
Edward |
|
Erwin |
|
Herman |
The look of the Dirty Mind album matches the subject matter he addresses, it’s sex, all around. The picture by Allen Beaulieu captures Prince’s move into new wave and the creation of the MPLS sound; funk, synths and sex, all wrapped up in a black and white theme he would return to for later albums, but this was the first time he used a black and white theme to create a gritty look that matched the music behind the sleeve. |
Leon |
Another real Prince cover, showing remarkably well why the concepts of ambiguity or dual-sidedness fit him so well. Sometimes the romantic prince on the white horse or the purple motorcycle, at other times a sex symbol who is severely provocative. |
Rick |
|
Vincent |
|
11. When Doves Cry
Maxi-single, 1984
Remarks
Bram |
|
Edward |
|
Erwin |
The first Prince I ever bought. Sentiment? Certainly, but the cover is just beautiful. Simple, effective with a great font. |
Herman |
|
Leon |
|
Rick |
|
Vincent |
The second record I ever bought. I just think, it’s a nice design. Later on, in March 1985, during the famous Syracuse’s concert from the Purple Rain tour, the same kind of flowers were scattered all over the audience, during When Doves Cry was played. |
12. Let’s Work
Maxi-single, 1981
Remarks
Bram |
Great, that band in full force on the cover. Beautiful, those pink letters with that black. |
Edward |
Very different from the European versions of this 12″. Not bad either, but the USA one takes the cake! Beautiful shot of the whole group, an outtake pic taken from the Controversy photo sessions, very unusual for Prince, with matching Controversy font, in astounding bright magneta, quite contrasting with the black background. The backside just mentions the titles of the A/B side, of which the A-side is an unique dance remix of 8 minutes. The B-side was the first time fans in the USA could get a hold of that odd track Gotta Stop (Messin’ About). Very beautifully done, and an absolute favorite 12″ amongst fans. Even back in the day, it wasn’t easy to get your hands on a copy. And when U did, it’d cost ya. |
Erwin |
The cover provides a hint for the music inside, or does it? The look and overall feel is more new wave than funk. Color and black/white. “Controversy”? |
Herman |
|
Leon |
|
Rick |
|
Vincent |
|
13. Diamonds And Pearls
Album, 1991
Remarks
Bram |
|
Edward |
|
Erwin |
|
Herman |
Diamonds And Pearls is a banger in many ways. A return to chart-topping songs and home to some Prince classics, it is a show-case album for Prince’s new backing band, The New Power Generation. So a lot of effort went into the design of this album, partly by the same team that would later shape The Hits/The B-Sides art.
The regular CD cover photography is by Randee St. Nicholas, but the limited edition version contains a different colour theme (gold instead of blue) and includes a hologram. It made this release stand out. |
Leon |
A hologram on a CD cover… that is innovative and resulted in a wannahave for the fans… clever marketing. |
Rick |
|
Vincent |
I remember it well: the release of this album, with a hologram! Wow, how cool was that! Availability was limited, so you had to act quickly, I remember. I also have a maxi version of the hologram, which is a kind of mini poster. They were actually meant for the LP/vinyl version though that never materialized (as it was too expensive to produce the LP that way). |
14. Paisley Park
(Maxi-)Single, 1985
Remarks
Bram |
|
Edward |
|
Erwin |
I adore the “paisley” motif. The combination of the colors and the musical content are a perfect mix of design and content. |
Herman |
|
Leon |
|
Rick |
|
Vincent |
This cover is very special to me because one of my dogs was called Paisley. At the time (1985), I bought the 12″ and its cover, to me, radiates a feeling of playfulness and cheerfulness, just like Paisley used to be. Unfortunately she is no longer with us, but she was a very sweet lady. RIP Paisley! |
15. Love Symbol
Album, 1992
Remarks
Bram |
|
Edward |
|
Erwin |
|
Herman |
The 1992 Love Symbol album draws on many things that are often included in Prince’s art-design. Special designed font, check. Purple, check. Intriguing photography, check.
What made the early CD release of this album special was that the first batch of CD’s had an embossed “love symbol” on the front cover. It made a great album even more special. |
Leon |
|
Rick |
|
Vincent |
Again: this cover is special to me. It would serve as an example for putting a tattoo on my shoulder. In my opinion, by this time (1992) the symbol had evolved into a beautiful ornate image. |
Interpretation and justification
So, there it is: the 15 most beautiful Prince covers according to the A Pop Life Panel. Of course, there are things to be said about the list.
Number of nominations
Out of all official items (albums, singles, cassettes, etc.) a total of 51 were nominated.
Once again the 1980s is the favorite decade, 17 nominations stem from that particular era, followed by 12 from the 1990s, 7 from the 2000s and 5 from the 2010s.
Number top 15
The top 15 is made up of 12 nominations stemming from the 1980s. The remaining 3 items stem from the early 1990s.
Points
As can be seen in the complete list below, the numbers 1 to 4 really are undisputed. From number 5 onwards the points don’t reach the total of 50 points anymore. Of all the 51 nominated items not 1 is mentioned by all providers. Three items were nomintaed by 6 providers. Those end up in the combined top 5 (numbers 1, 2 and 5).
Of all the A Pop Life Panel members, 73% of Erwin’s, Herman’s and Vincent’s nominations ended up in the top 15, followed by Bram (60%), Leon (40%), Rick (33%) and Edward (20%).
The complete list
For everyone that just can’t get enough, below the complete list, sorted by the number of points, year of release and song title, can be viewed. Click the text below to show the complete list.
Cover |
Item |
Year |
Bram |
Edward |
Erwin |
Herman |
Leon |
Rick |
Vincent |
Total |
1999 |
Album |
1982 |
 |
9 |
6 |
11 |
7 |
12 |
14 |
59 |
Around The World In A Day |
Album |
1985 |
1 |
10 |
13 |
13 |
 |
15 |
2 |
54 |
Sign O’ The Times |
Album |
1987 |
15 |
 |
9 |
14 |
 |
14 |
 |
52 |
Lovesexy |
Album |
1988 |
13 |
 |
14 |
7 |
6 |
 |
10 |
50 |
Come |
Album |
1994 |
11 |
 |
10 |
3 |
13 |
5 |
3 |
45 |
Parade |
Album |
1986 |
14 |
 |
11 |
12 |
 |
 |
7 |
44 |
If I Was Your Girlfriend |
(Maxi-)Single |
1987 |
6 |
 |
12 |
15 |
 |
 |
 |
33 |
The Black Album |
Album |
1987 |
10 |
 |
1 |
8 |
9 |
 |
1 |
29 |
Purple Rain |
(Maxi-)Single |
1984 |
 |
 |
 |
 |
 |
13 |
15 |
28 |
Dirty Mind |
Album |
1980 |
7 |
 |
 |
4 |
14 |
 |
 |
25 |
When Doves Cry |
Maxi-single |
1984 |
 |
 |
15 |
 |
 |
 |
9 |
24 |
Let’s Work |
Maxi-single |
1981 |
12 |
8 |
3 |
 |
 |
 |
 |
23 |
Diamonds And Pearls |
Album |
1991 |
 |
 |
 |
2 |
8 |
 |
12 |
22 |
Paisley Park |
(Maxi-)Single |
1985 |
 |
 |
8 |
 |
 |
 |
13 |
21 |
Love Symbol |
Album |
1992 |
 |
 |
 |
10 |
 |
 |
11 |
21 |
Purple Rain |
Album |
1984 |
 |
 |
 |
5 |
15 |
 |
 |
20 |
Controversy |
Album |
1981 |
 |
13 |
2 |
 |
 |
4 |
 |
19 |
The Hits / The B-Sides |
Album |
1993 |
 |
 |
 |
9 |
10 |
 |
 |
19 |
Sign O’ The Times |
(Maxi-)Single |
1987 |
8 |
 |
5 |
 |
5 |
 |
 |
18 |
Mountains |
(Maxi-)Single |
1986 |
2 |
 |
7 |
 |
 |
8 |
 |
17 |
Gett Off |
(Maxi-)Single |
1991 |
 |
11 |
 |
 |
 |
 |
5 |
16 |
Sexuality |
Maxi-single |
1981 |
 |
15 |
 |
 |
 |
 |
 |
15 |
Gotta Stop (Messin’ About) |
Maxi-single |
1981 |
 |
14 |
 |
 |
 |
 |
 |
14 |
For You |
Album |
1978 |
 |
 |
 |
 |
4 |
 |
8 |
12 |
When Doves Cry |
(Maxi-)Single |
1984 |
 |
12 |
 |
 |
 |
 |
 |
12 |
Nothing Compares 2 U |
Single |
2018 |
 |
 |
 |
 |
12 |
 |
 |
12 |
I Could Never Take The Place Of Your Man |
(Maxi-)Single |
1987 |
 |
 |
 |
 |
 |
11 |
 |
11 |
The Gold Experience |
Album |
1995 |
5 |
6 |
 |
 |
 |
 |
 |
11 |
One Nite Alone… The Aftershow: It Ain’t Over! |
Album |
2002 |
 |
 |
 |
 |
11 |
 |
 |
11 |
The Rainbow Children |
Album |
2001 |
 |
 |
 |
 |
 |
10 |
 |
10 |
Let’s Pretend We’re Married |
(Maxi-)Single |
1983 |
9 |
 |
 |
 |
 |
 |
 |
9 |
Art Official Age |
Album |
2014 |
 |
 |
 |
6 |
3 |
 |
 |
9 |
Piano & A Microphone 1983 |
Album |
2018 |
 |
 |
 |
 |
 |
9 |
 |
9 |
Planet Earth |
Album |
2007 |
 |
 |
 |
 |
 |
7 |
 |
7 |
20Ten |
Album |
2010 |
 |
7 |
 |
 |
 |
 |
 |
7 |
Emancipation |
Album |
1996 |
 |
 |
 |
 |
 |
 |
6 |
6 |
HITnRUN Phase One |
Album |
2015 |
 |
 |
 |
 |
 |
6 |
 |
6 |
MPLSound |
Album |
2009 |
 |
5 |
 |
 |
 |
 |
 |
5 |
Alphabet St. |
(Maxi-)Single |
1988 |
 |
 |
4 |
 |
 |
 |
 |
4 |
I Wish U Heaven |
(Maxi-)Single |
1988 |
4 |
 |
 |
 |
 |
 |
 |
4 |
The Beautiful Experience |
EP |
1994 |
 |
4 |
 |
 |
 |
 |
 |
4 |
Chaos And Disorder |
Album |
1996 |
 |
 |
 |
 |
 |
 |
4 |
4 |
Glam Slam |
(Maxi-)Single |
1988 |
 |
 |
 |
 |
 |
3 |
 |
3 |
Money Don’t Matter 2Night |
(Maxi-)Single |
1991 |
3 |
 |
 |
 |
 |
 |
 |
3 |
Crystal Ball |
Album |
1998 |
 |
2 |
 |
1 |
 |
 |
 |
3 |
The Work Part 1 |
Single |
2001 |
 |
3 |
 |
 |
 |
 |
 |
3 |
Space |
(Maxi-)Single |
1994 |
 |
 |
 |
 |
 |
2 |
 |
2 |
N.E.W.S. |
Album |
2003 |
 |
 |
 |
 |
2 |
 |
 |
2 |
1999 |
Single |
1982 |
 |
1 |
 |
 |
 |
 |
 |
1 |
Batman |
Metal can |
1989 |
 |
 |
 |
 |
 |
1 |
 |
1 |
One Nite Alone… |
Album |
2002 |
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The individual lists
All lists come with personal commentary, remarks and memories. All lists are enclosed below. Click on one or more lines below.
Bram’s top 15 Prince covers
- Sign O’ The Times
This is the cover I’ve been staring at the most; questioning myself – ‘what the hell is on that stage anyway?’ Prince in the corner, shot out of focus, adding to the mystique. By the way, this original photo is much more interesting than the one used for the deluxe.
- Parade
Iconic pose in my book. The artwork is so effective in its simplicity.
- Lovesexy
Prince sitting amongst the flowers like a kind of fairy in a pristine white environment… The lilac leaves, the fragile hand… As vulnerable as can be.
- Let’s Work
Great, that band in full force on the cover. Beautiful, those pink letters on that black background.
- Come
I like black and white photos. So this one explains a lot.
- The Black Album
I’m not kidding here. To me, this is a serious candidate for this list. This album continues to appeal to the imagination in every way, including its pitch black cover.
- Let’s Pretend We’re Married
His pose here surely lives up to his nickname, His Royal Badness.
- Sign O’ The Times
Apparently Prince shaves his legs as well… 😉
- Dirty Mind
He is almost just as naked here, as he is on 1988’s Lovesexy-cover. But back then in 1980, it was no problem at all selling this record…
- If I Was Your Girlfriend
Wonderful dreamy photo.
- The Gold Experience
This cover matches the music beautifully.
- I Wish U Heaven
I just love the Lovesexy font. Nuff’ said.
- Money Don’t Matter 2Night
Just a beautiful photo. The black with purple letters is quite infectious to look at.
- Mountains
Excellent artwork and a super pose from our man.
- Around The World In A Day
The same applies for this one as for The Gold Experience: the cover, for me, goes hand in hand with the music again.
Edward’s top 15 Prince covers
Yes! A new challenge on the Prince horizon: this time around we will take a look at the 15 most interesting, exciting, fascinating, outrageous, challenging record covers. In my case, it works as an advantage I guess since a) I consciously experienced the 80’s and b) I am quite visually orientated. For those reasons, and not growing up in a digital era, record sleeves made a much more profound impression, as well as they stay in your memory for the longest time. Way back then, it was also very interesting, while the record was spinning in the background, to study the cover extensively: what is there to read? What kind of messages can I discover? What does the artist want to say with this cover or lyrics? U may notice there being some unconventional choices in my list; that’s because I chose the top 15 purely for their cover, the way it speaks to me: because of a certain type or use of color, a certain font used, a beautiful message, even a hidden message maybe? So, the choices do stand on their own and are not or much less connected with the musical content of the record it belongs to.
- Sexuality
(12″, Germany)
Prince in his very prime. In 1980/1981 Prince wanted to get your attention, preferably with a bit of shock value added in the mix, either in lyrics, or clothing (… or lack thereof). The very first time I became aware of Prince was exactly when this 12″ and the album Controversy came out, in the autumn of 1981. With this specific 12″ being my very first confrontation with the phenomenon Prince in detail: thigh high black stiletto boots, a long black leather coat, and a black leather g-string. Certainly not your average garments for a gentleman. It’s not that I wanted to be like him, I just thought it to be thoroughly exiting: an afro american rock star, playing with gender, and trying his hardest to push boundaries. To attract even more attention, besides the pic itself, the ultra red lettering on the words Prince and Controversy (B-side) on the front cover, already sort of sets out a warning of some kind. Something in the way of: be careful, this is serious hot stuff. Be sure U can handle it. So, as a result of this 12″ and its cover-sleeve, what he is wearing, the colour of the lettering, he implores us to take notice; record-wise he implores us to take a good listen, and thus following him to the New World. It turned out to be paving the way for what was to come. There’s only one thing left to say: Superfunkycalifragisexy, this 12″.
- Gotta Stop (Messin’ About)
(12″, UK)
As with the Sexuality 12″, another sleeve chosen purely for its provocation. This UK red zebra 12″ is a perfect combination with the content of the record, unambiguously to arouse certain hidden feelings or desires. The hype sticker on the front makes it even more powerful: unsuitable for minors, so all the more reason to buy the record. 2 of the 3-track 12″ are a few of the most notorious trax ever recorded by Prince. The 3rd pick for this 12″ therefor seems to be a somewhat odd choice and out of place: the rather sweet & soft I Wanna Be Your Lover. To balance things out? I guess, I would’ve chosen a track like Sister or Dirty Mind to fill the gap besides the title track and Head. Released between the Dirty Mind and Controversy albums, midway 1981, to coincide with the first ever concerts on European soil, this zebra print sleeve is unique to a release in the UK only. Very hard to get nowadays and a much sought after edition. There’s also a far less exiting sleeve with just a black & white headshot, a second UK only release.
- Controversy
THE gender bending as well the genre bending record of 1981 at the crossroad of funk, rock and new-wave. And the very reason why I wanted to be a Prince fan from then on. With a most groundbreaking attractive record sleeve, demanding one’s attention… “a sincere statement of opposing views” with a collage of screaming headlines from the fictional Controversy Daily referring to the record’s contents. On the backside, even more banners, amongst those mentioning Joni (Mitchell) en The Second Coming, a later documentary film and live album from The Controversy Tour on 7 March 1982. Unfortunately, the project was abandoned by Prince. In the midst of all these provoking slogans, we can find a rather serious looking Prince, clearly wearing make up, with a face telling us “Look! I’ve got something to say”, this time around dressed (fully clothed!) in his recognizable purple trenchcoat; actually Controversy being the very first of his coming albums to associate Prince with the color purple as well as the first to use his typical sensational spelling in his song titles. To top everything off, unquestionably with regard to the contents of the album again, Prince wears a button stating “rude boy”. Musically speaking: in comparison to his previous album Dirty Mind, our Purple Royalty is now refining his propulsive funk adding teasers of gender, religion, racial (in)difference, nuclear war and proclaiming unconstrained sexuality as the fundament for a new, more loving society rather than the America of Ronald Reagan, we lived in at the time. All in all, quite an exquisite and interesting sleeve.
- When Doves Cry
(2×12″, UK)
Simply an iconic sleeve. A headshot, black sunglasses, purple background… utterly effective. And again, a perfect match with the contents: the sparse When Doves Cry, but like its sleeve: convincing to the max. My only complaint would be that it looks a bit grainy though. This is a special choice btw as we get 2 x 12″ so also an extra 12″ of the partytrax 1999/D.M.S.R. That is because of the beautiful purple lettering on the When Doves Cry front cover, unique to this particular package only. Prince / When Doves Cry are also mentioned on the sleeve this time, in a beautiful lavender Purple Rain font, as opposed to the more dull textless 12″ UK sleeve.
- Gett Off
(12″, USA)
A phenomenal release from 1991. I can still remember when it came out, getting fierce airplay at the time. From its opening scream to its ferocious concluding guitar solo, Gett Off is prime-quality Prince; and It appeared as if everybody loved the track, because this was a very different kind of funk from what we were used to. Without a doubt, one of my all-time favorites and a standout track in his catalogue. The sleeve is of special significance to me, besides being a superior track, as my later home was decorated in purple and yellow. So, there U go, it can be that simple sometimes. Plus: Prince always wanted to be mysterious in whatever way: this time around with a mirror message written on the back sleeve (on the first 12″ promo sent out to DJ’s with purple lettering on a white background -the damn near 10 min. mix- this message can be seen on the front). It’s something which I am particularly fond of, when there’s something to discover. When it was time for Prince to visit Holland in July 1992 for his Diamonds And Pearls tour, I had a one-of-a-kind shirt made with the mirror message printed on it, just to wear once for the concert. When waiting outside during the day, almost nobody ‘got the message’. So much for a real purple crowd… 🙄
- Around The World In A Day
A very adventurous & colorful sleeve, just like the contents of the record itself. Again, a totally fitting match! As a way of puzzle-of-the-week every single track on the album can be viewed in some form on the gatefold animated sleeve, so just look for ’em. And every purple boy or girl knows the story behind this record: Prince was very adamant about this one – no acid colored rain on repeat, to him it was very clear where things were heading. With the Purple Rain (USA) tour well on its way, the new album was already wrapped up by Christmas 1984, which surprised even members of the Revolution, who couldn’t quite understand how quickly things were moving in Prince’s fertile imagination. Esoteric and deliriously bizarre, experimenting with psychedelic styles, more exuberant textures and cryptic lyrics, Around The World In A Day invites its listeners on a magical, mystical tour, a one of a kind trip. Though this album is still very much its own unique thing, various comparisons to 1967 Beatles were made more than once in the past, though Prince himself denied its influence profusely at the time.
- 1999
(2LP, USA)
One of Prince’s most significant releases ever. And without a doubt, his album with the greatest % of dance trax, making this the ultimate party trick. Now to its sleeve: certainly to harmonize with the party feel of the album, the cover is quite sparkly, stimulating, energizing, and in some ways even provoking. At first glance, maybe not that remarkable, but surely enough there’s plenty to discover here. First of all, there are a few elements from its preceder Controversy: the eyes, the smile, jacket studs, the rude boy pin. Furthermore, one can discover a little plate containing the words “and the Revolution” written backwards, both acknowledging his backing band and foreshadowing the coming years of his career. Rarely mentioned anywhere, the “1” of the “1999” is shaped like a penis. And the first digit “9”, contains the sign of androgyny, the sign of the man and the woman in one, which Prince would be using throughout his career. Then, on the backside one can state that the lyrics to the 1999 track are even more striking than the mentioning of the 11 trax which the album consists of. The album is really beautifully constructed with a further 2 lavish inner sleeves, containing 2 pictures (one of the whole group, one of Prince trying to be at his most tempting, lying on a bed) with all the lyrics on the other side. And if U got the right version, there are also the lush eye labels on the discs themselves.
This was the second album I ever bought from Prince, so it is very dear to my heart. Besides that, purple is my favorite color, so that’s another added advantage. Especially when the double album was re-released a few years back on purple vinyl, it made the whole package nothing short of complete. The whole cover and album display a splendid vibe party feel so let’s not spoil that idea then.
- Let’s Work
(12″, USA)
Very different from the European versions of this 12″. Not bad either, but the USA one takes the cake! Beautiful shot of the whole group, an outtake pic taken from the Controversy photo sessions, very unusual for Prince, with matching Controversy font, in astounding bright magneta, quite contrasting with the black background. The backside just mentions the titles of the A/B side, of which the A-side is an unique dance remix of 8 minutes. The B-side was the first time fans in the USA could get a hold of that odd track Gotta Stop (Messin’ About). Very beautifully done, and an absolute favorite 12″ amongst fans. Even back in the day, it wasn’t easy to get your hands on a copy. And when U did, it’d cost ya.
- 20Ten
As stated earlier: me likes color. This sleeve is of particular interest as it was one of only few times that Prince used an animated pic of himself as a front cover. Other ones being the cover of the cd-single The Work and the gatefold album sleeve to Around The World In A Day, both in this Top 15 as well. I like the 20Ten one a lot, with all the bright use of different colors. It’s a very fashionable sleeve. Much later, I also bought a long sleeved shirt of this one (for home usage only) and I always feel kind of special when wearing it. It’s very dear to me, this one. Especially when U consider the story below!
I can still remember as if it were yesterday: with a group of friends on our way in Belgium to the Torhout Werchter festival where Prince would be playing, we did everything conceivable to get a hold of the CD which happened to be released that very day. With a smothering 42 degrees outside, it sure turned out to be a survival trip, stopping at every gas station to find that damn paper it was included with. As expected, we arrived empty handed at Werchter, after I don’t know exactly anymore, some damn 25 gas stations. So, as U might have guessed, already not in the best of spirits, we had to get out of the car which till then had been airing us with some 25 degrees cooler in comparison to outside. Then we discovered some people, wanting to make a quick buck on the go, selling the wanted paper including the new CD. I was so glad to finally be able to buy the lot, so I bought 20 of them… just to be on the (very) safe side. There U go! Now, we could finally enjoy the concert. Even Mr. bass thumping Larry Graham could’t spoil this day anymore.
- The Gold Experience
Just for the sake of something else than all the purpleness here, an orange sleeve from 1995. Just like the Beautiful Experience CD, using the love symbol. Also released as a limited promo edition on translucent gold vinyl but with a very dull sleeve unfortunately. The booklet is exquisitely done, all in the same warm yellowish/gold vibe, giving the whole a mellow, sensitive, even emphatic feel to it. The CD was of utter importance to Prince to get it released finally, and boy, were we fans glad to get hold of these tracks. Though by that time, we already had gathered multiple bootlegs containing those songs. 1993 up till 1995 turned out to be an extremely fruitful era for Prince.
- MPLSound
Released only in France as a single CD, so for me, the reason it is in this Top 15, and not Lotusflow3r as a 3-cd set. A gorgeous magnetic sleeve, color wise as well as what can be seen: the very elements that make up the specific MPLS Sound: a guitar, the Linn drum machine, some Disco Jellyfish (intended for release on the album, but later evolved into the track Chocolate Box), and in the back the town of Minneapolis itself. It’s just a colorful collage of items that make up a nice flashy, vibrant photo. Mind you, one of the very few in this list of which I completely detach the sleeve from its contents. MPLSound isn’t exactly a fan favorites in his catalogue. Though I like the attempt to produce an fully electronic album with almost just synths and the typical Linn sounds here and there, it fails to make any impression. The only thing that keeps lingering in my mind is why the track Ol’ Skool Company is recorded in his Camille voice.
- The Beautiful Experience
(9-track CD, Japan)
A very important release for Prince at the time (1994), one of the very first under his symbolic unpronounceable moniker. He wanted to prove to Warners that he still was able to impress the music market. And so he did as The Most Beautiful Girl In The World turned out to be one of his most significant tunes ever. Still, I myself am not a particular fan of the track, it is all too sweet and too much candy crap. However, I do like the remixes, especially those danceable ones, simply called Beautiful. Besides this club version, I guess the Mustang mix is one of the other standout tracks for me as this version is at least sung in his normal voice which makes the track a whole lot less being-in-the-candy-store-and-feeling-sick for me. So, I chose the Japanese version as it is the only release consisting of 9 tracks instead of the usual 7 ones, with 2 remixes on Beautiful. Also because of the sleeve as the obi here adds a something little bit extra for the eyes to watch. Inside the package, one can find an alternative cover, showing a fold out of Prince’s symbol (the same pic as the jacket). When folded out, it takes the shape of a butterfly with a woman as the torso. Very beautifully and quite tastefully done.
- The Work Part 1
With a little help from my friends @Napster, this single was a free download in the spring of 2001, “a first cybersingle from the Rainbow Children-album” it is mentioned on the sleeve. U couldn’t pull any better song than this one out of Prince’s catalogue to act as an hommage to James Brown, an artist that Prince looked up to a great deal. It’s safe to say that the Part 1 bit is a reference to the fact that there’s still a great deal of work to be done, in the way of… (fill in the blanks). Is that the reason why Prince is looking rather angry, annoyed, irritated, displeased, disappointed, raising his eyebrows on the front cover? Opinions about the meaning of the lyrics are rather divided: some think it’s about racism and inequality, while others say it’s about proclaiming the decree of Jehovah’s Witness. So, like I already said, fill in the blanks yourself. Moreover, there actually never was a part 2 of the track, though it has been mentioned a few times that Musicology (2004) did in fact fulfill that very task.
This is one of the other animated sleeves I was talking about earlier (see 20Ten). A cool sleeve, because of its message but also I always liked this cd-single. I have some fond memories of it as it was at the very beginning of Prince going digital; I was still a bit weary of collecting trax only by digital means, so imagine my high spirits when the track was released on CD afterwards, something physical to hold in my hands… yeeeh!… with a splendid sleeve.
- Crystal Ball
Often overlooked, even by Prince fans themselves, this beautiful CD-set from 1998. Particularly of interest to me because of the odd shaped circular booklet, with nice predominately purple artwork. Don’t even know anymore in which version of the set it was included. I only know the 5-cd one which fans ordered directly from Paisley Park, came with no artwork at all, to much dismay of the real fans, surely because of its quite high pricetag of $100. I believe I bought an extra set in the stores, just because of the booklet. Worth the extra money though.
- 1999
(7″, USA)
Beautiful USA only picture sleeve, which differs from all the European variations of this single. A pic from the 1999 photo sessions with Prince wearing his purple trenchcoat and some smoke surrounding him. This picture is almost so perfect, one would think they made a statue of Prince back in 1982 already, for Madame Tussauds or something. Still, a very nice photoshot for this lovely 7″ to close down this list.
Erwin’s top 15 Prince covers
- When Doves Cry
The first Prince I ever bought. Sentiment? Certainly, but the cover is just beautiful. Simple, effective with a great font.
- Lovesexy
The courage, expression and vulnerability make this cover into one of the most remarkable record covers of all time. The music corresponds with the music perfectly.
- Around The World In A Day
The foldout is beautiful, referring to songs and characters on the album. The colors are clear and vibrant.
- If I Was Your Girlfriend
The cover posesses a “dream-pop” feel, reflecting the song very well.
- Parade
Prince, black/white, simple, effective, iconic. How hard can it be?
- Come
Moody photo in Barcelona next to that beautiful La Sagrada Familia. Great photo for the somewhat macabre addition “1958 – 1993”.
- Sign O’ The Times
Photo that made me wish for more. Was the cover a prelude for the coming tour?
- Paisley Park
I adore the “paisley” motif. The combination of the colors and the musical content are a perfect mix of design and content.
- Mountains
Great photo stemming from the Parade era. My baptism of Prince (And The Revolution) live. Unforgettable!
- 1999
How to paint a full picture with just numbers and letters!
- Sign O’ The Times
Mystery: who was that on the cover? Was it Prince? Or a female version? Was it Camille? It turned out to be Cat, who would play a significant role in the upcoming tour.\
- Alphabet St.
Great design. Plastic see-through cover with a sticker, showing the name Prince and the title. Nothing more. And yet, still beautiful. Another great font!
- Let’s Work
The cover provides a hint for the music inside, or does it? The look and overall feel is more new wave than funk. Color and black/white. “Controversy”?
- Controversy
The cover that signaled the real future. The coloring, the spelling, drum computers. Prince found his niche, and his image.
- The Black Album
How a black square can tell endless tales.
Herman’s top 15 Prince covers
When I was asked to compile a list of favourite Prince covers, I realized that the majority of my entries made the list because I own them on vinyl; back in the vinyl age, the size of the LP sleeve was ideal for an artist like Prince to incorporate photography, colour and style and give us indications on where a new era was headed.
- If I Was Your Girlfriend
My favourite Prince cover by far is If I Was Your Girlfriend; the single resembled the style of the album, but here his name is emblazoned next to it, using the specially designed Sign O’ The Times font, in the bright baby blue colour that matches the font of the previous single’s font colour and the album’s foil sticker.
As on the album cover, Prince stares off into the distance, as he does on the cover’s second portrait. It’s dreamy and introspective, matching the style of the single’s lyrical content. It’s a total dream.
Photography by Jeff Katz, design by Laura LiPuma, which includes an astonishingly pretty back cover as well. And, the single contains one of the best B-sides in his entire career.
- Sign O’ The Times
The Sign O’ The Times cover is iconic in more ways than one; as with previous albums, Prince incorporates a colour theme, this time peach and black. And he uses ace photography by Jeff Katz and art design by Laura LiPuma to sketch an entirely different scene than the albums that came before.
The cover is as brilliant as is simple; an ornate soundstage, with an out-of-focus Prince, his gaze looking past the camera, as if he’s dreaming away. It’s mysterious, catchy and intriguing.
The contents of the sleeve are what blew me away and made me Prince fan forever.
- Around The World In A Day
Around The World In A Day is a gatefold cover, spreading out over the front and back of the cover and it contains a painted artwork by Doug Henders, who was asked to incorporate several themes and characters, matching those described in various songs; there is a ladder, a woman crying, a girl wearing a raspberry beret, and so on.
It was an amazing puzzle, it was colourful and psychedelic and includes no photography at all, nor did any of its singles, trying to steer away from the huge shadow that Purple Rain had cast. It worked for me, as not only was the cover hugely different, the music on the album and its singles were above and beyond Purple Rain in its scope.
- Parade
Another gatefold album sleeve: Parade. But this time photography was back to the fore; two majestic and awfully sexy pictures of Prince, shot from the belly-button up, were flipped and joined at those same belly buttons, creating a front and back you could flip open.
Again an iconic sleeve, as the sleeve’s black and white themed look/outfit fits the singles design and photography. The black and white theme also reflects the movie Under The Cherry Moon‘s theme. Prince’s outfit and look is identical to the video of one of his biggest hits Kiss.
In your face, all around sexy.
- 1999
The 1999 album cover is high on my list, as it was the first release to feature the color purple so heavily, after having played a small part on the Controversy album and singles.
Not only is the cover artwork hand-drawn by Prince himself, it includes photography cut-outs of, amongst others, a Marilyn Monroe arm. As with a lot of other Prince covers, it includes jokes, but also the first mention of The Revolution, drawn in mirrored letters front and centre and the appearance of the first “love symbol”.
- Love Symbol
The 1992 Love Symbol album draws on many things that are often included in Prince’s art-design. Special designed font, check. Purple, check. Intriguing photography, check.
What made the early CD release of this album special was that the first batch of CD’s had an embossed “love symbol” on the front cover. It made a great album even more special.
- The Hits / The B-Sides
As with Parade, The Hits/The B-Sides makes use of amazing black and white photography (by Herb Ritz), putting Prince’s image to the fore. You don’t necessarily need a lot of design to create something amazing.
As this album was split up in three different releases, as The Hits 1, The Hits 2 and those two combined with the B-sides as a triple album, designers Jeff Gold and Greg Ross could use three iconic Ritz pictures to promote this great introductory compilation to Prince’s early career.
- The Black Album
Even though both versions of The Black Album were limited in their own way, the cover design, or lack thereof, was one of the things that made it iconic, it even gave the nameless album its infamous name.
I was not smart/rich enough to be around to own an original 1987 version, but when the limited 1994 release hit the market, I got both the vinyl and the CD, but there was nothing more exciting to get the vinyl out of its sleeve and play it, but oh; that sleeve! Genius.
- Lovesexy
You cannot mention the previous entry without its spiritual counterpart Lovesexy. Its cover’s subject is as stripped/naked as the first two single releases that accompanied it, devoid of photography, but the album’s photography by Jean Baptiste Mondino (who also had shot Jill Jones‘s video for Mia Bocca) was nothing short of shocking for some prudish US retailers, who refused to sell it, or only from under the counter.
- Art Official Age
After ages of not having felt the need to buy new Prince records on vinyl, Art Official Age was an album I had to have on vinyl, as it felt as a return to form and creating sound scapes that moved me again, for the first time in a long time. I was pleasantly surprised that art director and photographer Maya Washington created a cover that seemed to match the lyrical content of Prince looking back at his own career by mimicking the pose and colour of Prince’s second album.
- Purple Rain
Purple Rain is probably Prince’s most iconic cover, which was shot by Ron Slenzak. The cover is everything it needs to be, for a global break-out album; there’s tension, created by Apollonia Kotero standing behind Prince, smoke and creative lightning and the man himself is a total rock star.
The design is splendid, the picture is super-imposed over the cover of the album’s lead single, a picture of laid out flowers.
The picture has the purple, the love symbol and as a cover, you just cannot go wrong with it.
- Dirty Mind
The look of the Dirty Mind album matches the subject matter he addresses, it’s sex, all around. The picture by Allen Beaulieu captures Prince’s move into new wave and the creation of the MPLS sound; funk, synths and sex, all wrapped up in a black and white theme he would return to for later albums, but this was the first time he used a black and white theme to create a gritty look that matched the music behind the sleeve.
- Come
The last album with new material Prince gave Warner Brothers, before they parted ways after a long feud, made Come a tricky album. I still think this is a heavily overlooked album. It’s a really strong album, almost all the way through. It’s not strange that, for an album that came out in such a contested time in Prince’s career, Prince went for a dark look, harking back to a black and white theme. The cover photo is simply breathtaking; Prince in front of La Sagrada Familia in Barcelona, photographed by Terry Gydessen, who was Prince’s 1993 tour photographer and also released the Prince photography book The Sacrifice Of Victor. The cover shot of the CD is part of a bigger fold-out booklet, though; the entire picture is one of my fave Prince pics ever.
- Diamonds And Pearls
Diamonds And Pearls is a banger in many ways. A return to chart-topping songs and home to some Prince classics, it is a show-case album for Prince’s new backing band, The New Power Generation. So a lot of effort went into the design of this album, partly by the same team that would later shape The Hits/The B-Sides art.
The regular CD cover photography is by Randee St. Nicholas, but the limited edition version contains a different colour theme (gold instead of blue) and includes a hologram. It made this release stand out.
- Crystal Ball
Crystal Ball was released in a cloud of huffing and puffing fans that had paid a lot of money to get their hands on a specially designed transparent hockey puck that contained five cd’s; three compilations albums with a good mix of ’80s and ’90s outtakes in pristine quality and two albums that became hard to find for over a few decades; the mostly acoustic The Truth and the instrumental Kamasutra.
The huffing and puffing was generated by the fact that the online version took longer to send out than the regular three cd set only containing the compilation cd’s.
But it was worth it; great design, with a circular booklet containing liner notes, but no other artwork (except the cover of the booklet and the specially designed font), a stunning transparent box storing an amazing set of music.
Leon’s top 15 Prince covers
- Purple Rain
Iconic photo. The average population will have this image in mind if you ask them what does Prince look like and honestly: for me Prince at his very best in terms of looks and period.
- Dirty Mind
Another real Prince cover, showing remarkably well why the concepts of ambiguity or dual-sidedness fit him so well. Sometimes the romantic prince on the white horse or the purple motorcycle, at other times a sex symbol who is severely provocative.
- Come
A special cover for a special album, the photo is a bit dark and gloomy… wondering if there is a message behind it.
- Nothing Compares 2 U
The silhouette that every Prince fan recognizes immediately, very simple but completely Prince… shrouded in mystery/smoke.
- One Nite Alone… The Aftershow: It Ain’t Over!
This time not a perfectly posed image from a photo studio but just a band enjoying playing live, the fun radiates from the cover and clearly indicates what you can expect from the music.
- The Hits / The B-Sides
Beautiful cover because it is so simple and pure. Being the style icon that Prince was; you just have to come up with such a beard line.
- The Black Album
Nothing more than that… but what a story behind this one.
- Diamonds And Pearls
A hologram on a CD cover… that is innovative and resulted in a wannahave for the fans… clever marketing.
- 1999
At first glance the cover comes off as simple, but if you look at the numbers a little longer… I always have to smile again. A cover with a big wink.
- Lovesexy
Well… you just need to take a risk, at least it’s typical Prince again: shocking!
- Sign O’ The Times
I think there’s quite a lot of speculation about who’s holding the heart… is it Prince? Anyway, the message is love and that is a timeless message.
- For You
A vague picture of a young man with a focussed look. The world didn’t yet know was that this man would turn into one of the greatest musicians ever, and would step out of the shadows in a unique way…
- Art Official Age
The last look of our hero, he will be remembered as such. Again innovative (3rd eye glasses) and back to basics with a large afro. Forever young.
- N.E.W.S.
The second to last and the second ugliest, very uninspiring, while its music is beautifully assembled… is that the hidden message, real beauty comes from inside?
- One Nite Alone…
I had to add this one, because to me, this is the ugliest cover ever… A couple of eggs in a nest with piano keys, feels more like an advertisement for an Easter concert.
Rick’s top 15 Prince covers
- Around The World In A Day
The animated album cover is like a puzzle. I enjoyed it quite much – looking at the figures, drawn on the sleeve and I guess, some refer to a band member and some to a song title. Details of the painting in fact were used as cover on their own, for the single releases. For example: the woman in the beret for the Raspberry Beret 7″/12″ cover. The mountain in the background depicts a silhouette of a woman lying down. The pics on the inner sleeve, containing the lyrics, is like a colourful fairytale with a forest and a big rainbow in the sky; or maybe this is Paisley Park? I think the multi-coloured theme of the cover fits nicely with the many music styles on this record.
- Sign O’ The Times
The picture used on this cover is showing a stage, reminding me of a small club when the band just finished their performance. With the smell of booze, old ale and smoke still in the air… yes, smoking indoors was still allowed back then. The picture of this cover takes me back to concerts at Paradiso, Melkweg and Taverne in the late eighties, early nineties.
- Purple Rain
This cover cannot be omitted in my top 15. Pictured on this sleeve is an iconic photo of Prince on stage with his famous clothes from the Purple Rain concerts and of course, the white cloud guitar. I really think this represents that era even more so than the Purple Rain album cover.
- 1999
This cover cryptically refers to The Revolution. The band-name can be seen in a mirror image on this cover. A nod to the role they were going to play in the near future. Thus Prince giving his backing band more recognition for the first time. This album-cover used to hang on the wall in my house: when only the purple disco light was switched on in the room, the purple cover actually lit up in green. I always thought that was curious.
- I Could Never Take The Place Of Your Man
This cover shows a nice photo with a dark background, Prince standing out while being lit up by some stage lights. This photo was taken before the age of digital cameras, so taken on film. The light sensitivity of film back in those days was considerably lower, resulting in more grain in photographs. So, that is why I think this is still a pic well-made, at the same time beautifully reflecting the concert feel of those days.
- The Rainbow Children
A cool drawing of a band going wild on this particular sleeve. The distortion of the figures and how close they are to each other is reminiscent of a “fisheye view”. The spine of the cover subtly shows an image of Prince, wearing very casual clothing compared to his regular outfits.
- Piano & A Microphone 1983
The music on this record was recorded for private use only, so not for the public to hear. It consists of intimate moment in his studio. The black and white cover photo shows a glimpse into his dressing room: a moment the public normally wouldn’t see either. For that reason, I think this photo was chosen cleverly as it fits quite well with the intimate jams on the piano.
- Mountains
The Parade era represents Prince’s black & white period. The movie Under The Cherry Moon also being a movie shot in black & white. The pics on the cover of the Parade album, as well as the singles drawn from the album, are also all black & white and were shot in the same kind of style. The Mountains 7″/12″ one being my favourite from that era: the clothing, the hat and the pose on this cover is the best of the bunch.
- Planet Earth
This wasn’t the first time Prince used a hologram for an album cover. It was also done on a version of Diamonds And Pearls. But that particular hologram was printed on thin silver paper and actually is not that clear. This hologram on the CD-version of Planet Earth in thick plastic accomplishes its task way better. From a certain angle, one can see the familiar “love symbol”, from another angle Prince is looking down on the globe like some kind of wizard, reminding me a bit of fantasy style stories.
- HITnRUN Phase One
This record is from the Third Eye Girl era. Prince is wearing sunglasses with three glasses, one of which is apparently for “the third eye”. The drawn image on this cover is almost identical to the photographic version on the cover of Art Official Age. This drawn version is way better though. In my opinion, this is one of his worst records unfortunately though its cover is a rather nice one.
- Come
The cover shows a beautiful moody photo of Prince in Barcelona in front of Gaudi’s Sagrada Familia. When I look at this cover nowadays, I realize that even though they are both gone, Prince and Gaudi have become immortal because of their exceptional work they left us as a legacy, something only few people achieve.
- Controversy
In addition to the photo on the front cover, there are a number of “controversial” statements on the back-side. Statements that fit nicely with the title of the record. The photo also shows a new kind of Prince, more grown up and less provocative than on its predecessor Dirty Mind, wearing the familiar purple jacket with studs on the shoulder and the rude boy badge. Items that would be part of his image for the next three years.
- Glam Slam
This sleeve differs from the usual cardboard or paper cover. This time around, the record is housed in a transparent plastic sleeve. A sticker in the shape of a pink arrow with the title of the song is pasted on it. Furthermore, one can see the grooves on the record through the plastic. Quite simple but effective. This one always stood out immediately when you scrolled through records in the record store. Alphabet St. was done in the same kind of fashion but with an oval sticker instead, though the Glam Slam one is nicer, I think.
- Space
This cover shows a photo of an audience Prince must have seen often from the stage. In this case, one sees a crowd of people with a light or lighter in their hands, typical drawn at the time when ballads were played during concerts, always being a goose bumps moment. Very original to use a photo from this perspective for a cover, I think.
- Batman (metal can)
Shortly after its release, the Batman CD was also available in a limited round metal tin, for an additional fee. The tin is completely black with the Batman logo punched into it. The imprint of the CD itself is also different from the regular one as the Batman logo is imprinted in black & grey and the booklet has a round shape to fit the tin. For the fan, this was a nice alternative to the standard CD.
Vincent’s top 15 Prince covers
- Purple Rain
This is my favorite cover. As a little boy, I spent my pocket money on this single by Prince. My first memory on how I was fascinated by Prince and his music. It was the beginning of many concerts, aftershows and collecting bootlegs. My view on music was forever changed…
- 1999
This cover appeals to me for the creativity it exudes for me. The symbolism it depicts, the references to man and woman (including phallus 😉). To me, also the basis of the symbol/sign that Prince would be using throughout his career from here on. I still assume that the cover was drawn by Prince himself, though it was never officially confirmed.
Paisley
- Paisley Park
This cover is very special to me because one of my dogs was called Paisley. At the time (1985), I bought the 12″ and its cover, to me, radiates a feeling of playfulness and cheerfulness, just like Paisley used to be. Unfortunately she is no longer with us, but she was a very sweet lady. RIP Paisley!
- Diamonds And Pearls
I remember it well: the release of this album, with a hologram! Wow, how cool was that! Availability was limited, so you had to act quickly, I remember. I also have a maxi version of the hologram, which is a kind of mini poster. They were actually meant for the LP/vinyl version though that never materialized (as it was too expensive to produce the LP that way).
- Love Symbol
Again: this cover is special to me. It would serve as an example for putting a tattoo on my shoulder. In my opinion, by this time (1992) the symbol had evolved into a beautiful ornate image.
- Lovesexy
The cover that caused quite a lot of controversy, should not be omitted from my list. Prince naked on an album cover?! Simply not possible! And the pistil of the flower, though being a female floral organ, is depicted here as reference to the male private parts. Anyway, plenty of reasons for several stores to ban the record cover or wrap it in black foil and sell it secretly behind the counter.
- When Doves Cry
The second record I ever bought. I just think, it’s a nice design. Later on, in March 1985, during the famous Syracuse’s concert from the Purple Rain tour, the same kind of flowers were scattered all over the audience, during When Doves Cry was played.
- For You
The first album of a very young Prince. This is where it all started and the world was introduced to a musical mastermind. Funny detail: the cover also indicates that the album was produced, arranged, composed, and performed by one and the same person. Something Prince was determined about from the get-go. To me, this cover also reflects what the album overall sound is like: a mix of R&B and soul.
- Parade
The first album of Prince with short hair, and all in black & white. It took some getting used to. What makes this cover so special? In my case, those piercing eyes!
- Emancipation
I like this album for its symbolism: though not one of the most beautiful designs, the fact he felt finally liberated to manage his own music again makes this cover beautiful.
- Gett Off
One of the many CD singles I bought. Especially, the color scheme of yellow and purple appeals to me. I often use this combination during gaming when I can choose a car skin, logo or clothing of a character.
- Chaos And Disorder
The last album released under Warner Music in 1996. It clearly indicates what the relationship was like at that time between the record company and Prince. Quite a busy and aggressive, blood-splattered albumcover. The friendship was over…
- Come
Prince esta muerta, a very dark record cover. There is something spooky about it, in particular the birth and death date of Prince (1958 and 1993 resp.). It turned out to be the beginning of an era in which the name Prince would not appear on upcoming album covers… for a long time.
- Around The World In A Day
The first cover after Purple Rain, it took some getting used to. A colorful display with various references to the song titles. The longer you look at it, the more details you’re going to see!
- The Black Album
The Black Album: who doesn’t know this album 😉? Every self-respecting Prince fan knows this record, well should know anyway. I remember buying the album on cassette at the Waterlooplein/Amsterdam. Of course, the cover isn’t actually that special but the story behind it certainly is.
N.B.:
Original Dutch texts translated by their respective authors.
A special thank you goes out to Edward who helped reviewing the individual translations and correcting errors and or typos. I couldn’t have done it without you!
In closing
Just as with our previous A Pop Life Panel articles, we had a great time compiling this list. My sincere thanks to all involved!
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All article content: apoplife.nl / en.apoplife.nl, except:
Prince – 1999 image: thefader.com
Prince And The Revolution – Around The World In A Day image: zavvi.nl
Prince – Sign O’ The Times image: startribune.com
Prince – Lovesexy image: allmusic.com
Prince – Come & Prince And The Revolution – Paisley Park images: discogs.com
Prince And The Revolution – Parade image: writteninmusic.com
Prince – If I Was Your Girlfriend, Prince And The Revolution – Purple Rain, Prince And The Revolution – When Doves Cry, & Prince – Sign O’ The Times images: bol.com
Prince – Dirty Mind image: rhino.com
Prince – Let’s Work image: redbubble.com
Prince & The New Power Generation – Diamonds And Pearls & Prince – Chaos And Disorder images: spotify.com
Prince – Love Symbol image: last.fm
Prince – Gotta Stop (Messin’ About) afbeelding: sleevographia2.free.fr
Prince And The Revolution – Mountains image: soundcloud.com
Prince And The Revolution – Purple Rain image: youtube.com
Prince – For You image: essence.com
Prince – The Rainbow Children image: therecordhub.com
Paisley (hond Vincent) image: Vincent van Gool
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