The Clash top themselves with the stunning Sandinista!

The Clash 1980 (

The Clash 1980 (fltr: Joe Strummer, Topper Headon, Paul Simonon, Mick Jones)


By 1980 The Clash was regarded as the main exponent of rock. The band had outgrown the confines of punk and had released the fantastic London Calling on the brink of the 1970s and 1980s, which was followed by the single Bankrobber in August of 1980. So, what would be next?


Following the release of London Calling The Clash went on tour. Due to an injury of Topper Headon some shows were postponed, so what did the band do? Go back to the studio of course. The recording sessions were fruitful, very much so. The band had proposed record company CBS to release a single every month over the course of 1980. The band was impressed by the Jamaican way of producing and releasing: short cycles, ensuring songs could be about current affairs. Bankrobber was to be the first in line. CBS, who had already expressed their concern with double album London Calling, balked at the idea. So, what did The Cash do? Record, record and record some more. In record time the band laid down one album, two albums, three albums worth of music to tape!

The Clash - Sandinista! - Joe Strummer writing lyrics at Electric Ladyland Studios, New York, 1980 (

Joe Strummer writing lyrics at Electric Ladyland Studios, New York, 1980

Joe Strummer:

The fact is that we recorded all that music, in one spat, at one moment. In one, three-week blast. For better or worse, [Sandinista!] is the document.

After the elaborate recording sessions in New York, Jamaica, London and Manchester the band had recorded over 30 new songs. They all sounded completely unique, nothing like The Clash and by no means a London Calling part 2. Hip-hop, jazz, dub, reggae, gospel, funk, rap, rockabilly, calypso, rock and disco, it had it all. Mick Jones bought in hip-hop, which was public in the streets of New York, Paul Simonon was hooked to reggae, Topper Headon to soul and Joe Strummer to rock and R&B. The combination made for an irresistible and original melting pot.

At the start of the recording sessions Paul Simonon was replaced, as he had accepted a role in a movie. It would be a prelude to an enormous number of guests, who all played a part in The Clash’s creative explosion. Everyone brought along their own distinct background, preferences and signature. It only enhanced the album’s eclectic character even more. Most of the songs, parts and contributions were played only once and immediately put to tape.

The Clash - Sandinista! (

The Clash – Sandinista!


On December 12th, 1980, the fourth Clash album was released, three double album Sandinista! appeared within a year (minus two days) of double album London Calling. Five albums in one year! The Clash had truly struck a creative vein of gold.

Sandinista! contained six record sides, each consisting of six songs: 36 songs in total, an amount that was hardly comprehensible. The songs were credited to The Clash, instead of to individual band members.

“Ring! Ring! It’s 7am, move yourself to go again. Cold water in the face, brings you back to this awful place”. And, we’re off: The Magnificent Seven opens the record: a revolutionary song, the first rap song by a British band ever. Great production, funky, fantastic rhythm.

What a shock it must have been for the (oftentimes short sighted) punks at the time. The Clash had already turned into a rock band with London Calling, which was questionable, now it seemed like the band had lost its marbles and sold out completely. Song two: Ellen Foley? Didn’t she sing on Meat Loaf’s Paradise By The Dashboard Light? Then reggae, followed by Ivan Meets G.I. Joe: disco?! And it didn’t stop there: calypso, gospel (!), dub, soul, funk. Wasn’t there even one punk song on display here? No. Rock then? Yes: Somebody Got Murdered, Up In Heaven (Not Only Here), Police On My Back, but not much more. And why were classics like The Guns Of Brixton and Career Opportunities sung by children?

The Clash - Sandinista! - Poster (

The Clash – Sandinista! – Poster


But, what’s the album like? Was everything on it good/bad? No, of course not, but if I’m being honest, Sandinista! is the one Clash album I keep going back to, much more so than London Calling. I love the album’s flow and I think all music on the first four (vinyl) sides is truly magnificent. The lyrics are of an exceptionally high level, telling tales of an enormous wide scope. If there is a unifying theme on the album, it’s (the consequences of) war, the power (and its abuse) of the US (listen to Washington Bullets) and the hope the Sandinista freedom movement seemed to represent at the time.

From side 5 onwards the album gets a bit volatile, but even then highlights can still be heard, like Lose This Skin, Charlie Don’t Surf and Junkie Slip. Even side 6 has its moments with Version City and a number of fine dub versions of previous Sandinista! songs.

The standard claim when it comes to double albums, is that, with some editing down, it would have been a genius single albums. That very same thing is said about Sandinista!. I couldn’t disagree more. Sandinista! (still) is an unprecedented listening experience, showing a band that can do it all, dares everything and subsequently records and releases it as well. Or, as Joe Strummer puts it:

I stand proud of it, warts and all. It’s a magnificent thing! I wouldn’t change it even if I could. And that’s after some soul-searching. Just from the fact that it was all thrown down in one go. It’s, like, outrageous. And that it was released like that, it’s doubly outrageous – triply outrageous.

But, if I have to name some favorites, there are too many, so limiting myself to one of each side: The Magnificent Seven, One More Time, Let’s Go Crazy, The Call Up (my favorite Clash song), Charlie Don’t Surf and Version City, they are all equally brilliant. But, I really do the album an injustice here. Sandinista! is the recommendation of recommendations, it holds the 14th position in my favorite albums of all time for a reason!

In the US the album was reviewed in Rolling Stone. Click the line below to read the review.

Click on the pages to enlarge The Armagideon Times, no 3 pages.


When CBS learned of The Clash’s desire to release a three double album, executives almost died. To ensure fans were able to buy the album, the band demanded the album was sold for the price of one. The record company caved, under the condition that the band would forgo royalties on all album sales below 200,000 copies in the UK and a 50% decrease in royalty payments outside of the UK. The band complied and to this day hasn’t earned a single penny from the more than 100,000 sales in the UK.


The cover photograph was (again) shot by photographer Pennie Smith, at Camley Street, London. The album title references the socialist Sandinistas in Nicaragua, the album’s catalog number , ‘FSLN1’, is the abbreviation of the Spanish name, ‘Frente Sandinista de Liberación Nacional’.

The album contained a lyric sheet that was folded three ways and stuck into the cover, titled The Armagideon Times, no. 3 (see above). The Armagideon Times numbers 1 and 2 had already been published as Clash fanzines. The pages contained handwritten lyrics and cartoons made by Steve Bell.

The Clash - Sandinista! - The singles (

The Clash – Sandinista! – The singles


Four singles were culled from the album:

  • The Call Up
    (released on November 28th, 1980)
  • Hitsville UK
    (released on January 16th, 1981)
  • Police On My Back
    (released on April 6th, 1981)
  • The Magnificent Seven
    (released on April 10th, 1981)
The Clash - Sandinista! - Ad (

The Clash – Sandinista! – Ad


All songs written by The Clash, unless stated otherwise. Vocals by Joe Strummer, unless stated otherwise.

Side 1

  1. The Magnificent Seven (*)
  2. Hitsville UK (¤)
  3. Junco Partner (#)
  4. Ivan Meets G.I. Joe (¢)
  5. The Leader
  6. Something About England (φ)

Side 2

  1. Rebel Waltz
  2. Look Here (^,⊥)
  3. The Crooked Beat (ψ)
  4. Somebody Got Murdered (Θ)
  5. One More Time (†)
  6. One More Dub (†,¥)

Side 3

  1. Lightning Strikes (Not Once But Twice)
  2. Up in Heaven (Not Only Here) (Θ)
  3. Corner Soul
  4. Let’s Go Crazy
  5. If Music Could Talk (†)
  6. The Sound of Sinners

Side 4

  1. Police on My Back (æ,Θ)
  2. Midnight Log
  3. The Equaliser
  4. The Call Up
  5. Washington Bullets
  6. Broadway

Side 5

  1. Lose This Skin (»,«)
  2. Charlie Don’t Surf (φ)
  3. Mensforth Hill (¥)
  4. Junkie Slip
  5. Kingston Advice (φ)
  6. The Street Parade

Side 6

  1. Version City (φ)
  2. Living In Fame (†,°)
  3. Silicone On Sapphire
  4. Version Pardner
  5. Career Opportunities (±)
  6. Shepherds Delight (¥)

The total album length is an astounding 2 hours, 24 minutes and 9 seconds.

* Written by Mick Jones, Joe Strummer, Topper Headon, Norman Watt-Roy, Mickey Gallagher
# Written by James Booker
^ Written by Mose Allison
† Written by The Clash, Mikey Dread
æ Written by Eddie Grant
» Written by Tymon Dogg
¤ Vocals by Mick Jones, Ellen Foley
¢ Vocals by Topper Headon
φ Vocals by Mick Jones, Joe Strummer
⊥ Vocals by The Clash, Mikey Dread
ψ Vocals by Paul Simonon
Θ Vocals by Mick Jones
¥ Instrumental (no vocal)
« Vocals by Tymon Dogg
° Vocals by Mikey Dread
± Vocals by Luke Gallagher, Ben Gallagher


  • One More Dub is a dub version of One More Time
  • Broadway outro contains The Guns Of Brixton (stemming from double album London Calling) sung by Maria Gallagher
  • Mensforth Hill is Something About England played backwards with overdubs
  • Living in Fame is a dub version of If Music Could Talk
  • Silicone on Sapphire is a dub version of Washington Bullets
  • Version Pardner is a dub version of Junco Partner
  • Career Opportunities is a re-recorded version of the original (stemming from debut album The Clash)
  • Shepherds Delight is a dub version of Police & Thieves (stemming from debut album The Clash)
The Clash - Sandinista! - Ad (

The Clash – Sandinista! – Ad


The Clash

  • Joe Strummer – vocals, guitar, keyboards
  • Mick Jones – guitar, keyboards, vocals
  • Paul Simonon – bass, (background)vocals
  • Topper Headon – drums, (background)vocals

With help from

  • Tymon Dogg (‘Timon Dogg’) – vocals and violin on Lose This Skin, violin on Lightning Strikes (Not Once But Twice), Something About England, Mensforth Hill, Junco Partner, The Equaliser, keyboards on The Sound of Sinners
  • Mickey Gallagher (Blockheads) – keyboards
  • Norman Watt-Roy (Blockheads) – bass
  • Ellen Foley – vocals on Hitsville U.K.
  • Davey Payne (Blockheads) – saxophone on Ivan Meets G.I. Joe, Something About England, The Crooked Beat, If Music Could Talk, Lose This Skin, Mensforth Hill
  • Rick Gascoigne – trombone on Ivan Meets G.I. Joe, Something About England, Lose This Skin, Mensforth Hill, The Street Parade
  • Band Sgt. Dave Yates – drill sergeant on The Call Up
  • Den Hegarty (Darts) – vocals
  • Luke & Ben Gallagher – vocals on Career Opportunities
  • Maria Gallagher – vocals on Broadway outro
  • Gary Barnacle – saxophone on Ivan Meets G.I. Joe, Something About England, The Crooked Beat, Lose This Skin, Mensforth Hill, The Street Parade
  • Arthur Edward “Bill” Barnacle – trumpet on Ivan Meets G.I. Joe, Something About England, Lose This Skin, The Street Parade
  • Jody Linscott – percussion
  • Ivan Julian (Voidoids) – guitar
  • Noel “Tempo” Bailey – guitar
  • Anthony Nelson Steelie (Wycliffe Johnson of Steely and Clevie) – keyboards
  • Lew Lewis (Eddie and the Hot Rods) – harmonica on Junco Partner, Look Here, Corner Soul, Midnight Log, The Equaliser, Version City, Version Pardner
  • Mikey Dread – vocals on The Crooked Beat, One More Time, Living in Fame, Look Here
The Clash - Sandinista Now! (

The Clash – Sandinista Now!

Sandinista Now! Sampler

Prior to the Sandinista! release in the US a single vinyl was pressed for use on the radio. It was released by Epic and contained 12 of the 36 songs and was given the title Sandinista Now!, and contained the songs:

  • Police On My Back
  • Somebody Got Murdered
  • The Call Up
  • Washington Bullets
  • Ivan Meets GI Joe
  • Hitsville UK
  • Up In Heaven (Not Only Here)
  • The Magnificent Seven
  • The Leader
  • Junco Partner
  • One More Time
  • The Sound Of Sinners

The release is very rare and, therefore, extremely expensive.

The Clash - Sandinista! - Ad (

The Clash – Sandinista! – Ad

After Sandinista!

With every next album release the band experimented more and more, but every album sold better than the preceding one. Subsequently, Sandinista! outsold London Calling. In 1981 the band released the single This Is Radio Clash, upon which the band went to work on the successor to Sandinista!, double album Rat Patrol From Fort Bragg. When producer Glyn Johns joined the band the album was cut down, resulting in Combat Rock in May 1982. With hits like Know Your Rights, Should I Stay Or Should I Go? and Rock The Casbah, The Clash became huge. The video for Rock The Casbah was in regular rotation on the recently started MTV. Combat Rock was their most successful record.

But then it all started to collapse. By now, Topper Headon had turned into a full time junkie. Around the time of the Sandinista! recordings, his problems were manageable, but the transition to heroin made him completely unreliable. He left in 1982. In September 1983 Mick Jones was fired. The next album Cut The Crap wasn’t worthy of The Clash name. The Clash disbanded in the beginning of 1986.

Band members went their separate ways. In 1999 Strummer and Jones worked together on the posthumous live album From Here To Eternity and the documentary Westway To The World. In November 2002 it was announced that The Clash would be inducted into the Rock and Roll Hall of Fame in 2003. Rumors about an upcoming reunion were abound, but on December 22nd, 2002, Joe Strummer unexpectedly died of heart failure. The Clash was officially over.

The Clash - Sandinista! - Side 1, 2, 3, 4, 5, 6 (

The Clash – Sandinista! – Side 1, 2, 3, 4, 5, 6

In closing

What do you think of The Clash and Sandinista! in particular? Let me know!

This story contains an accompanying video. Click on the following link to see it: Video: The Clash top themselves with the stunning Sandinista!. The A Pop Life playlist on Spotify has been updated as well.


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    • Peter on 03/25/2021 at 8:57 PM
    • Reply

    I concur! Consider it one of my favourite 10 albums. Impossibly ambitious , audacious and more twists than a Hitchcock movie. I honestly think it is more consistent than “London Calling”, which I think tails off badly after the first 2 sides.

    1. I agree, thanks for your reply!

    • daniel on 11/05/2021 at 7:56 PM
    • Reply

    I have an Absolute love for this, I can’t imagine cut the thing on a single album, is an wonderful journey… has everything. If you are a serious fan, you know about that I’m talking about.
    The whole thing has it’s own vibe, no more, no less. You can revisited it any time you want and surely you will be wonder with one or other song.

    1. Agreed!

    • Eddy on 11/09/2022 at 11:21 AM
    • Reply

    Is there a triangle played on Rebel Waltz? This song is absolutely captivating. Amazing that the same band who wrote White Riot could pull that one off. Absolutely love it! Cheers. Great analysis!

    1. The trisngle? I think so!. Yeah, the band really did come a long way. The versatility was mind-boggling!
      Thanks for your reply!

    • Jadson on 12/13/2022 at 4:41 AM
    • Reply

    A friend gave me the album and it changed everything (musically wise). From then on I started my own band.

    1. Great friend!

    • Bob Bykowski on 12/27/2023 at 8:07 PM
    • Reply

    ‘London Calling’ was certainly more consistent, and probably the finest rock album of the ’80’s (it was released in America in January of 1980, even though it came out in the UK in December, 1979). But ‘Sandinista !’ is still terrific, and certainly their most wide-ranging album musically, with reggae, dub, rap, straight-up rock ‘n roll, and even elements of jazz. It definitely has its share of filler, but somehow it all blends into a compelling whole. The Clash were a truly great band that imploded too soon, and I really believe that had they not unwisely fired singer/guitarist/co-songwriter Mick Jones from the band, they would have stuck around longer. But they left behind a catalog of great music.

    1. It truly is a great catalog!

Compliments/remarks? Yes, please!